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      <image:caption>"IFORD’S SMALL-SCALE STAGING MEANT A RETURN TO THREE INDIVIDUALS, ABLY SUNG - ALBEIT PRACTICALLY HIDDEN BY THEIR COSTUMES - BY AOIFE O’CONNELL, CLAIRE FILER AND SARAH RICHMOND. THEY WERE A SUITABLY DARK PRESENCE, EVERY MOVEMENT CAREFULLY CHOREOGRAPHED BY JO MEREDITH SO AS TO EMPHASIZE THEIR OTHER-WORLDLINESS.” -Rian Evans, Opera Magazine</image:caption>
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      <image:title>Production Shots - Dorabella - Cosi fan tutte</image:title>
      <image:caption>‘Cosi fan tutte’ with Black Cat Opera in Richmond.</image:caption>
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    <lastmod>2025-09-25</lastmod>
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    <lastmod>2024-11-01</lastmod>
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      <image:caption>"Chi il bel sogno di Doretta” - Puccini, La Rondine</image:caption>
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      <image:caption>“Deh, se piacer mi vuoi” - Mozart, La Clemenza di Tito</image:caption>
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      <image:caption>"O Sachs mein Freund’ - Wagner, Die Meistersinger von Nürnberg</image:caption>
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      <image:caption>“Du bist der Lenz” - Wagner, Die Walküre</image:caption>
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      <image:caption>"Ave Maria” - Verdi, Otello</image:caption>
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      <image:caption>"Je dis que rien ne m’épouvante” - Bizet, Carmen</image:caption>
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    <lastmod>2026-07-20</lastmod>
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      <image:title>BIO</image:title>
      <image:caption>New Zealand-born soprano Claire Filer has a busy international career that has encompassed studies and performances in the US, UK, New Zealand and Europe. Current repertoire includes Salome Salome, Elisabetta Don Carlo, Elsa Lohengrin and Eva Die Meistersinger von Nürnberg. Claire’s past operatic performances include Ortlinde Die Walküre (London Opera Company, New Palace Opera), Fiordiligi Così fan tutte (Rogue Opera), Micaëla Carmen (Arcadian Opera, Rogue Opera), Mimi La Bohème (Richmond Orchestra). Recently Claire has performed excerpts from Sieglinde Die Walküre (St Mary’s Gallery Recitals) and Cio-Cio-San Madama Butterly (Staines Opera Recitals). Claire holds a Master of Arts with Distinction from the Wales International Academy of Voice in Cardiff, a Master of Music from The Boston Conservatory in the US and a Bachelor of Music with first class honours from The University of Auckland in New Zealand. While at the University of Auckland, Claire was awarded the Kathleen Mary Reardon Scholarship and Postgraduate Scholarship, and upon graduation from The Boston Conservatory, Claire accepted a place in the Gamma Psi chapter of the prestigious American music honours society Pi Kappa Lambda. Claire has also attended the Intermezzo Young Artist Program in Portland, Maine, the Franco-American Vocal Academy in Périgueux, France, and New Zealand Opera School in Wanganui, New Zealand. Oratorio and concert engagements include Beethoven 9th Symphony (Edinburgh Symphony Orchestra, Southwark Sinfonietta, Concert for Europe), Brahms Ein Deutsches Requiem (Blackheath Choir, Sheen Gate Choir), Mendelssohn Elijah (Bexhill Choral Society), Finzi In Terra Pax, Vaughan Williams The First Noël and Britten A Ceremony of Carols (City of London Choir &amp; Britten Sinfonia), Mozart Requiem (Spelthorne Choral Society, Grimsby Philharmonic Society, Bridgend Tabernacl Choir, Dunottar Choral Society, Wombourne &amp; District Choral Society, St Giles in the Fields), Grand Mass in C (Durham Choral Society) and Coronation Mass (Wadhurst Polyphony, Genesis Chorale); Handel Messiah (Collegium Musicum Costa del Sol, Wetherby Choral Society, The Maidstone Singers and The South Circular Orchestra, Nidderdale Messiah), Judas Maccabeus (Durham Choral Society), Dixit Dominus (Walton Voices) and Jephtha (The Handel Consort and Quire); Cecilia McDowall Magnificat (Enfield Choral Society), Jenkins The Armed Man (Wetherby Choral Society), , Pergolesi Stabat Mater (St Giles in the Fields), Bach St John Passion (Wetherby Choral Society), Saint-Saëns Messe de Requiem (Eastwood Chorale), Dvořák Stabat Mater (Wombourne &amp; District Choral Society) and Mass in D (Reigate &amp; Redhill Choral Society), Bach Magnificat (Village Voices), Schumann Requiem (Genesis Chorale), Duruflé Requiem (Grange Choral Society, Genesis Chorale), Rossini Petite Messe Solennelle (Aberystwyth Choral Society, Genesis Chorale, Dunottar Choral Society); Vaughan Williams Mass in G Minor (Wadhurst Polyphony, Cantata Singers); Gounod Messe Solennelle (Pakuranga Choral Society); Schubert Mass in C Major; Fauré Requiem and Vivaldi Gloria (Auckland Youth Choir); Haydn Mass in Time of War (South Auckland Choral Society), Lord Nelson Mass (Masterworks Chorale), Missa Cellensis in Honorem (Collegium Musicum Costa del Sol) and Missa Sancti Nicolai (Blackheath Centre for Singing); Orff Carmina Burana (Sing Waiheke); and Irving Fine The Choral New Yorker (Cantata Singers). In the US, Claire performed with a range of organisations such as Boston New Music Initiative, Metrowest Symphony Orchestra, New England Light Opera, Masterworks Chorale, and Cantata Singers, and was selected to perform the role of Bobachino in an excerpt from Musto The Inspector at the 2011 Opera America conference. Claire has also performed selections from Canteloube’s Chants d’Auvergne with Croydon Symphony Orchestra at Fairfield Halls and then with Guildford Symphony Orchestra at G Live. A mezzo-soprano until summer 2019, Claire’s previous operatic engagements included the roles of Dido Dido &amp; Aeneas (Armonico Consort, Kentish Opera, West Sussex Opera, The Boston Conservatory), Carmen (cover) Carmen (Kentish Opera), Dorabella Così fan tutte (Birgitta Festival – Tallinn, Estonia; The Black Cat Opera Company, West Sussex Opera), 2nd Witch Macbeth (Iford Arts), Angelina La Cenerentola (Woodhouse Opera Festival), Hansel Hansel &amp; Gretel (Carshalton Opera), Lola Cavalleria Rusticana (Wedmore Opera, Woodhouse Opera Festival), Sorceress Dido &amp; Aeneas (Opera at Chilmark, Richmond-upon-Thames Festival, Ursula’s Arrow), Maurya Riders to the Sea (Piccalilli Opera), Zweite Dame Die Zauberflöte (Woodhouse Opera Festival), Annina La Traviata (London Festival Opera), Suor Dolcina Suor Angelica (Talent Unlimited), 2nd Witch Dido &amp; Aeneas (Opera Alumnus), Mother Hansel &amp; Gretel (Opera Holloway), Cathleen Riders to the Sea (Cantata Singers), La Grande Duchesse La Grande Duchesse de Gerolstein (Franco-American Vocal Academy), Florence Pike Albert Herring (Intermezzo Young Artist Program), Suzy La Rondine (The Boston Conservatory), Serse Serse (The Boston Conservatory), chorus in Káťa Kabanová (Opera Holland Park) and La Traviata (West Green House Opera), and a gala performance at the first Opera Sark Festival. A composer herself, Claire has been involved in productions of several contemporary operas; as Charlotte (cover) in the world premiere of Brontë the Opera (Keynote Opera), and two brand-new operas with Gestalt Arts – Cameron Dodd’s Unsung Heroes of the Planet and Sarah Dacey’s Liquid History, performed at the Green Man Festival and the Totally Thames Festival respectively, both of which were revived in 2018 at The Eden Project and The National Maritime Museum. Upcoming engagements include Brahms Ein Deutsches Requiem and Salome Salome with Opera Ideale.</image:caption>
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